Jodi Proznick Quintet with Phil Dwyer & Katherine Penfold

Jodi Proznick – Bass

Juno Award-winning bassist, composer, bandleader, and educator Jodi Proznick has earned a reputation as one of Canada’s finest jazz artists. She has won numerous National Jazz Awards, including Bassist of the Year in ’08 and ’09. Her group, the Jodi Proznick Quartet, was awarded the Acoustic Group of the Year and Album of the Year in ‘08 and the Galaxie Rising Star at the Vancouver International Jazz Festival in ‘04.

In addition to leading her own group, Jodi has performed with many of Canada’s top jazz musicians, including PJ Perry, Don Thompson, Kirk MacDonald, Guido Basso, Oliver Gannon, Dee Daniels, Phil Dwyer, and Laila Biali. She is regularly in demand to perform and record with visiting jazz artists including Michael Bublé, Byron Stripling, Michael Feinstein, David “Fathead” Newman, Bucky Pizzarelli, Ed Thigpen, Jeff Hamilton, Peter Bernstein, Charles McPherson, Seamus Blake, George Coleman, Sheila Jordan, Mark Murphy, Harold Mabern, Eric Alexander, and Lewis Nash. In addition to recording her own Juno-nominated CD as a leader, Jodi has been featured on over 40 recordings as a side person.

Jodi began playing bass at the age of 13 under the direction of her father David, an award-winning music educator. In ‘93, Jodi received the General Motors Award of Excellence, establishing her as one of the top young musicians at Musicfest Canada, and then went on to receive a scholarship to study bass at McGill University in Montreal. After graduating, Jodi played with many of the top musicians in Montreal, including Juno winners Christine Jensen and Renee Lee as well as Montreal greats Andre White and Greg Clayton. She was awarded the IAJE Sisters in Jazz award in ‘98 as one of the best up-and-coming female jazz musicians.

Jodi moved to Vancouver in ‘00, where she now lives with her husband and collaborator, pianist Tilden Webb, and young son Tristan. Her personal highlights include opening for Oscar Peterson in 2004, performing as a featured soloist with the Vancouver Symphony Orchestra, and recording numerous times for CBC Radio. Another highlight in Jodi’s career was when she was asked to be the featured bassist in the 2010 Vancouver Olympic Winter Games’ closing ceremonies and soundtrack.

Jodi’s deep passion for education lead her to pursue a Masters Degree in Education at Simon Fraser University. She is a faculty member at Kwantlen Polytechnic University where she teaches improvisation, jazz theory, jazz history, popular music history, rudiments, jazz combo and bass lessons. She is the Artistic Director of the VSO School of Music Summer Jazz Workshop where she also teaches jazz bass, combo and jazz theory. She has been a guest adjudicator and clinician at many festivals, colleges, universities, and conferences across Canada.

As well as an extensive background as a jazz educator, Jodi was involved in teaching early childhood music classes for over 15 years. Her methodology included a combination of Orff, Kodaly, Dalcroze, Montessori and Suzuki philosophies of music education. Her areas of interest include arts-based research, embodied educational practices, attachment, phenomenology and creativity.

She has been described as “… armed with an arsenal of talent sure to develop recognition as one of the finest bassist in the jazz world today” (Ejazznews), “… (playing with) an infectiously in-the-pocket sense of groove” (Cadence Magazine), “… a jazz bassist with great time and a rock-solid sound ” (Katie Malloch, CBC Radio), “ a great player, who plays with intoxicating passion” (RivitingRiff.com), and “a wonderful bassist who really digs in and plays from the heart” (David Fathead Newman – Coda Magazine interview).

Jesse Cahill – Drums

Jesse Cahill started playing drums at a young age and worked his first professional gigs at 16 in restaurants and clubs in his hometown of Victoria, British Columbia. In 1993 he moved to Montreal to study music at McGill University, graduating in 1999 with a Bachelors Degree in Jazz Performance (with distinction).

While Jesse’s freelance resume boasts an extensive list of Canadian and international names it is his long term musical collaborations with west coast artists that have resulted in his most notable work. He has appeared on dozens of recordings with western Canadian musicians including Jodi Proznick’s Juno nominated CDs Foundations (2007) and Sun Songs (2018), Cory Weeds’ Juno nominated Up a Step (2012), and Jerrold Dubyk’s WCMA Jazz Album of the Year The Maverick (2008). Jesse has also released three albums with his own group The Nightcrawlers and has been a regular member of rockabilly power trio Cousin Harley for nearly two decades.

Jesse is also a dedicated educator and currently enjoys a busy teaching schedule at The Vancouver Symphony Orchestra School of Music in downtown Vancouver.

Phil Dwyer – Saxophone

On Dec. 30, 2013 Phil Dwyer was appointed as a Member of the Order Of Canada. He was cited for “his contributions to jazz as a performer, composer and producer, and for increasing access to music education in his community.” In January 2015 he was recognized by the Royal Conservatory of Music as an Honorary Fellow. These distinctions come as Dwyer looks back at an illustrious thirty year career which has crossed stylistic and geographic borders and has included collaborations with a storied roster of great musical artists, including appearances on a dozen Juno Award-winning recordings.

In 2014, while continuing to perform and record, Phil began studying law at the University of New Brunswick and graduated in the spring of 2017. He spent his summers between school years living in Toronto, maintaining a busy music schedule and, among other things, participating in a pilot project with social services agency Sound Times and Legal Aid Ontario and assisting noted activist lawyer Peter Rosenthal. He is now an articled student on Vancouver Island and is engaged with a number of community organizations in the areas of refugee resettlement and community health.

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Katherine Penfold – Vocals

Soul resides just beneath the exterior. Upon meeting Katherine Penfold, you might initially notice the prominent tattoos along her shoulder and arms before the conversation veers to her lifelong affinity for motorcycles, skateboarding, or woodworking. Listening to her music elicits a different impression altogether as a sultry, smooth, and sweet delivery belies the rustic badassery she exudes with ease. This gorgeous contrast illuminates the artist’s 2019 full-length debut, Sweetest Thing [Justin Time, Nettwerk].

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